Artibus et Historiae no. 79 (XL), 2019
90 EURO
Contents
HORST BREDEKAMP - Bernini’s Bees – Picasso’s Bulls. On the Death of the American Art Historian Irving Lavin (1927–2019) (pp. 9–10)
IRVING LAVIN - The Silence of Bernini’s David (pp. 10–21)
RAFAŁ QUIRINI-POPŁAWSKI - Alcune note sull’origine adriatico-ungherese dello stile dei capitelli del monastero benedettino di Tyniec (pp. 23–43)
DANIELE GUERNELLI - Generazioni a confronto. Un Messale per San Michele in Bosco a Bologna miniato da Giovanni Battista e Scipione Cavalletto (pp. 45–72)
LIVIO PESTILLI - Revisiting Michelangelo’s Doni Tondo (pp. 73–87)
VICTORIA S. REED - Decapitation, Devotion, and Desire in Titian’s Salome (pp. 89–115)
MARIE-LOUISE LILLYWHITE - The Decoration of the Church of San Giacomo dall’Orio in Venice, 1567–1606: Palma il Giovane, Giovanni Maria da Ponte and the Counter-Reformation (pp. 117–150)
AOIFE BRADY - Durability and Disease: Guido Reni’s Paintings on Silk (pp. 151–166)
Durability and Disease: Guido Reni’s Paintings on Silk  
JESSE LOCKER - ‘I’m Still Learning’: "The Painter’s Studio" by the Master of the Annunciation to the Shepherds (pp. 167–190)
SILVIA TITA - The Spada Swords and the Barberini Bees Define the Borders of the Papal States: the Frescoes by Colonna and Mitelli in the Salone of the Palazzo Spada (pp. 191–227)
MARCIA POINTON - Peter Paul Rubens and the Mineral World (pp. 229–265)
ALISON M. KETTERING - After Life: Rembrandt’s "Slaughtered Ox" (pp. 267–286)
STEVEN F. OSTROW - Bernini, Baciccio, and the Dome Fresco in the Gesù: A Reconsideration (pp. 287–306)
LARISA NIKIFOROVA, EKATERINA BLOKHINA - Portrait with a Black Page in Eighteenth-Century Russian Art and the Cultural Transfer of Signs (pp. 307–322)